Cosmic Disclosure: Blue Avians & Spheres in Ancient Art
* Latest Intel and Update – Corey Goode
* Full Disclosure and Ascension: The War Has Gone Hot! – David Wilcock
* The Blue Avians And Blue Sphere Beings : Do You Know What Love Can Do? – William Henry
* Our Technology Decades Ahead of What’s Known (Part1)
Source of report here.
Now, I’ve been familiar with William Henry’s work since the late 1990s. He has been extremely consistent. I’ve gone all over the place. I’ve talked about everything you can imagine – Illuminati, UFOs. William has always been focused on ascension, focused on Christ, focused on the true core of what the message is that we’re all ultimately here to convey.
And William has really done an incredible amount of work, unlike anybody I’ve ever seen, in terms of looking at art and seeing some really, really provocative stuff. And when we found out the information that William had and the corroborating power that that brings to Corey Goode’s testimony, we said, “That’s it. We’ve got to have him on the show.”
Wait ’til you see the stuff that we have in this episode. It is going to blow your mind.
So, William, how you doing, buddy?
William Henry: Very good.
David: Can you just give us a little take on your idea of ascension? What is ascension?
William: Well, I always take people back to the story of the caterpillar and the butterfly. The idea is that we’re all living in a pupal phase in our human body, but within us is an ascended phase, a next-level, the butterfly.
And the problem is we’re kind of like that cartoon I saw once of the two caterpillars looking at the butterfly, and another one flies by and they say, “You’ll never get me up in one of those things.” Right? We don’t have a concept of what it means to ascend.
But simply, it means to become a celestial traveler, a cosmic being – to leave behind our caterpillar phase and morph, or phase, into an ascended form. And as you said, I’ve really studied the art of ascension. And they almost always show it the same way.
It’s a humanoid form, a light being, a luminous, radiant being, often shown in a sphere – a sphere of light. And that sphere indicates a portal. It indicates an ascension vehicle of some kind that ultimately manifests from within our own body.
David: Now, do you think Corey’s crazy? I mean, what’s your opinion on all this stuff?
William: I hear his story, and immediately I am getting resonance with what I know from the ancient world. It doesn’t sound crazy at all to me, because I know Blue Sphere beings exist. I know Blue Avian beings exist in the ancient record. Whether they are actual beings or mythological beings, we can’t answer for sure, but, however, humanity has been – I could use the word “obsessed” – with angelic beings for many thousands of years.
And very often in this ancient art, they are portrayed as blue beings, and often feathered or avian-type beings. They are Blue Avians.
David: Now, some people have accused Corey of just coming up with this elaborate story that has no precedent. So what I’m hearing you say is that there is a historical precedent for this.
William: Exactly. And when I first heard about Corey’s story, that’s exactly what I got, is like, wow, there’s resonance here. This is not something that you’re pulling out of your imagination. This is something that has been in the human imagination for a very long time.
David: What is the relationship, in your knowing, between these Blue Avian type beings that you see in the art and ascension?
William: The Blue Avians are teachers. They are the bringers, the light bringers, if you will, of the mystery teachings of ascension. And when we look to these beings, we’re looking to them as benefactors of humanity. You could go ‘savior’, but that’s a whole other category of beings. But benefactors – they’re wisdom-bringers.
They’re trying to get us to wake up to our soul’s potential of what is really within us, and out ability to leave the Earth, if we choose, and travel the cosmos.
Corey Goode: And you said you’ve been researching this specific topic since 2002, correct?
William: That’s correct. I started coming . . . Through my study of mystic Christianity, I started researching the ascension stories of Jesus. In the Bible, it clearly says that Jesus ascends in a cloud, and that furthermore, when he returns, he will return that same way – in a cloud.
But when you go over to Christian art, yeah, you will see a cloud. You will see him standing on a cloud, like the Buddhist cloud-riders, for example, but more often than not, there’s a precedence for his ascension taking place in a blue sphere, where he is even portrayed as a blue being. And then he is ascending into the stars through this blue sphere, or returning to Earth in this blue sphere.
It’s clearly some kind of a transportation vehicle.
David: Well, let’s dive out of the plane and parachute into this, because you have such amazing data. I don’t want to rob any time from it.
David: What have we got to look at first here?
William: Okay. Let’s go back to the Temple of Horus in Egypt. It’s in Upper Egypt. It’s on the Nile.
300 B.C. And this is what we’re looking at here. We see the exterior walls of the Temple of Horus.
And etched on the wall are these amazing depictions of Horus as a bird being. Now, the key thing is that very little color remains at this temple.
But when you zoom in on it, as I have here, you see that Horus is clearly a blue being.
David: There’s definitely some blue below the chin and above the eye.
William: And you can say, “Well, okay, somebody added that later or whatever. There’s really not a history of Horus being a blue bird being, a Blue Avian.”
So let’s go over to the Temple of Hathor at Dendera, which is nearby, also built at the same time. And what we see in the Temple of Hathor . . .
David: Oh, man.
William: . . . is this incredible depiction of Horus enthroned with a feather cloak indicating he is a bird being. The bird symbolism is very apparent here. And he’s on his ascension throne, which means this is a throne that he can travel into the stars.
He’s clearly a blue bird being, a Blue Avian in our context.
David: Now, Corey, what we see carved here does not look exactly like what you saw.
David: But William, are these people . . . These are not eyewitnesses that carved this? This is like based on a legend, do you think?